Coolpıx P100 NİKON Dijital Fotograf Makinesi Fiyatları

NIKON COOLPIX P100 Dijital Fotoğraf Makinesi

Telephoto

The big end of the telephoto can get you close to critters and other subjects that might not ordinarily hang around to let you get in range (or when conditions don't allow you to physically approach) with a standard compact digital. The lizard was on the other side of a fence and Mr. and Mrs. Mallard were back for their fourth or fifth annual spring visit to our backyard pool.

Nikon Coolpix P100

Nikon Coolpix P100

The Nikon Coolpix P100 also gets a drop in resolution to 10.3 megapixels (versus 12.1 megapixels in the P90) on a slightly larger 1/2.3-inch (vs. 1/2.33-inch) sensor. Pixel fans tempted to write off the P100 for lower resolution need to hang in there a bit longer; there's more to the P100 than a little more lens and a little less resolution. The slightly larger sensor is a new backside illumination (BSI) CMOS type and the P100 is the first Nikon Coolpix to incorporate that device. Very generally, BSI involves placing the light sensor for each pixel on the back side of the entire sensor wafer instead of the front side along with other circuitry. Isolating the sensors from the circuitry reportedly increases sensor efficiency (signal to noise ratios) since less light is scattered before reaching the image sensor. Nikon's EXPEED processing technology is onboard as well.

Nikon Coolpix P100
Nikon Coolpix P100

Other improvements to the P100 include doubling resolution on the 3.0-inch LCD monitor to 460,000 dots, a continuous shooting rate of up to 10 frames per second (fps) at full resolution - but sadly for only a portion of that second for still images - and 1080p HD video at 30 fps. There is about 43MB of internal memory and the camera uses SD/SDHC memory media (but is not compatible with MultiMedia Cards). Nikon includes a battery and charger, USB and A/V cables, camera strap, lens cap, and CD-ROM software with each camera.

With the new sensor and lowered resolution suggesting improved noise performance over its P90 sibling, the P100 is off to a good start, at least on paper. Let's see how things go once the shooting begins.

BUILD AND DESIGN
The Nikon P100 follows the virtually standard industry script for the ultrazoom class and is configured as a mini DSLR. Nikon P90 owners will be hard-pressed to tell the two apart; the P100's only external differences from the earlier model are a stereo microphone atop the viewfinder housing and a movie record button on the camera back. It has a composite body with some strategically positioned tacky material in the handgrip and thumb rest areas. Materials, fit, and finish are typical for the class and price point.

Ergonomics and Controls
The deeply sculpted handgrip portion of the body leaves space from the lens barrel for average size fingers, but folks with big hands may find it snug. The index finger falls naturally to the shutter button and lens zoom control, and spacing/positioning of other controls is unlikely to promote inadvertent activations. The overall control layout is simple and straightforward.

Nikon Coolpix P100 Nikon Coolpix P100

Menus and Modes
There are four major menus accessed via the menu button: shooting, movie, playback and setup. If there aren't images or video captured on either the camera's internal memory or memory media, the playback menu is unavailable. The shooting menu includes settings for most image quality issues (size, white balance, ISO sensitivity), along with camera settings like exposure bracketing, continuous or single shooting rates, noise reduction, AF area and focus modes. The distortion control and active D-lighting features are also located in the shooting menu, and we'll discuss those more depth later in the review.

Like other cameras of this class, shooting modes have a heavy emphasis on automatic and pre-programmed scene modes. Aperture, shutter, program auto and manual exposure options favored by more experienced users are also in the mix. Additionally, the P100 has a few interesting modes you don't see often: subject tracking, sport continuous and backlit scene HDR.

* Auto: Camera establishes most settings, but user can adjust focus mode, exposure compensation, image quality and size.
* Scene: Camera selects settings for 16 scene modes chosen by user (including backlit scene HDR, which we'll discuss at length later on). User may have some input available depending on specific scene.
* Scene auto: Camera chooses specific scene from auto, portrait, night portrait, landscape, night landscape, close-up or backlight options.
* Smart portrait: A face detection shooting mode that can incorporate automatic shutter release by the camera if a smile is detected.
* Subject tracking: Allows user to designate a subject and the camera focus area will move and follow the subject.
* User setting: Frequently used settings in P, A, S, or M modes can be saved in mode dial U.
* Program auto: Camera sets shutter and aperture, user has wide variety of setting options (image quality and size, color palette, white balance, ISO sensitivity, single or continuous shooting rates, autofocus area and mode, noise reduction, active D-lighting, distortion control, flash exposure compensation) and flexible program to select different combinations of aperture and shutter while retaining same exposure.
* Aperture priority: User sets aperture, camera sets shutter; wide variety of setting options available.
* Shutter priority: User sets shutter speed, camera sets aperture; wide variety of setting options available.
* Manual: User sets aperture and shutter; wide variety of setting options available.
* Movie: Captures video in HD 1080p resolution (1920 x 1080) at either 14 or 12 megabyte per second (Mbps) bitrates; HD 720p (1280 x 720) at 9 Mbps; 640 x 480 at 3 Mbps or 320 x 240 at 640 kilobytes per second. Also available are HS modes that capture in slow motion rates of 240 frames per second (fps) at 320 x 240 resolution; 120 fps at 640 x 480 and 60 fps at 1280 x 720. A fast motion movie (15 fps at 1920 x 1080) is also available.

Display/Viewfinder
The 3.0-inch LCD monitor has been upgraded to a 460,000 dot composition and is adjustable for five levels of brightness. It can be articulated to about 160 degrees of motion along its horizontal axis when positioned away the camera body. At times, the monitor was difficult to use in bright outdoor conditions for image capture or review depending on sun location and reflections. But the ability to move the monitor helped minimize these occasions. Coverage is about 97% for image capture and 100% for playback.